Title 17 — CopyrightsRelease 119-73
§101 Definitions
Title 17 › Chapter CHAPTER 1— - SUBJECT MATTER AND SCOPE OF COPYRIGHT › § 101
Summary
Defines many words used in the copyright rules and gives simple meanings for each. It names terms like anonymous work (no real person named as author), architectural work (a building’s design or plans, not routine features), audiovisual works (a series of images shown by machines, with any sounds), and the Berne Convention (treaty signed Sept. 9, 1886, plus related acts). It explains best edition (the U.S. edition the Library of Congress picks), children (a person’s natural or legally adopted offspring), collective work (many separate pieces assembled together), and compilation (a new work made by selecting or arranging existing material, which includes collective works). It defines computer program, copies (physical objects that hold a work, not phonorecords), copyright owner (owner of a particular exclusive right), Copyright Royalty Judge (appointed under section 802), when a work is created (fixed in a copy or phonorecord), derivative work (a new work based on one or more earlier works), device/machine/process (now known or later developed), digital transmission, and what it means to display a work. It also defines establishments and food or drinking establishments (places open to the public for selling goods or serving food/drink where nondramatic music is publicly performed) and says gross square feet includes interior space and adjoining outdoor serving space. It explains financial gain, when a work is fixed (stable enough to be perceived for more than a short time, and simultaneous fixation during transmission), lists several international copyright treaties including the Geneva Phonograms Convention (Oct. 29, 1971) and the two WIPO treaties (Dec. 20, 1996), and says words like “including” are examples, not limits. Other terms defined in one line each are joint work, literary works, motion picture exhibition facility, motion pictures, perform, performing rights society (for example, ASCAP), phonorecords (objects that hold sounds), pictorial/graphic/sculptural works (photos, prints, sculptures, maps, technical drawings, architectural plans; artistic features count only if separable from useful function), proprietor for section 513 (owner of an establishment with specific exclusions), pseudonymous work, publication, public performance or display, registration for certain sections (205(c)(2), 405, 406, 410(d), 411, 412, 506(e)), sound recordings, State (includes D.C. and Puerto Rico), transfer of copyright ownership, transmission program, transmit, treaty party, the geographical meaning of United States, what makes a United States work (published or unpublished rules and where pictorial works are incorporated in a building), useful article, widow or widower, the WIPO treaty names and dates, work of visual art (single copy or limited signed editions of 200 or fewer, with specific exclusions), work of the U.S. Government, and work made for hire (either by an employee in the scope of employment, or a specially ordered commissioned work for certain listed uses if a signed written agreement says so). The terms WTO Agreement and WTO member country are defined elsewhere in the Uruguay Round Agreements Act.
Full Legal Text
Title 17, §101
Copyrights — Source: USLM XML via OLRC
Except as otherwise provided in this title, as used in this title, the following terms and their variant forms mean the following: An “anonymous work” is a work on the copies or phonorecords of which no natural person is identified as author. An “architectural work” is the design of a building as embodied in any tangible medium of expression, including a building, architectural plans, or drawings. The work includes the overall form as well as the arrangement and composition of spaces and elements in the design, but does not include individual standard features. “Audiovisual works” are works that consist of a series of related images which are intrinsically intended to be shown by the use of machines, or devices such as projectors, viewers, or electronic equipment, together with accompanying sounds, if any, regardless of the nature of the material objects, such as films or tapes, in which the works are embodied. The “Berne Convention” is the Convention for the Protection of Literary and Artistic Works, signed at Berne, Switzerland, on September 9, 1886, and all acts, protocols, and revisions thereto. The “best edition” of a work is the edition, published in the United States at any time before the date of deposit, that the Library of Congress determines to be most suitable for its purposes. A person’s “children” are that person’s immediate offspring, whether legitimate or not, and any children legally adopted by that person. A “collective work” is a work, such as a periodical issue, anthology, or encyclopedia, in which a number of contributions, constituting separate and independent works in themselves, are assembled into a collective whole. A “compilation” is a work formed by the collection and assembling of preexisting materials or of data that are selected, coordinated, or arranged in such a way that the resulting work as a whole constitutes an original work of authorship. The term “compilation” includes collective works. A “computer program” is a set of statements or instructions to be used directly or indirectly in a computer in order to bring about a certain result. “Copies” are material objects, other than phonorecords, in which a work is fixed by any method now known or later developed, and from which the work can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. The term “copies” includes the material object, other than a phonorecord, in which the work is first fixed. “Copyright owner”, with respect to any one of the exclusive rights comprised in a copyright, refers to the owner of that particular right. A “Copyright Royalty Judge” is a Copyright Royalty Judge appointed under section 802 of this title, and includes any individual serving as an interim Copyright Royalty Judge under such section. A work is “created” when it is fixed in a copy or phonorecord for the first time; where a work is prepared over a period of time, the portion of it that has been fixed at any particular time constitutes the work as of that time, and where the work has been prepared in different versions, each version constitutes a separate work. A “derivative work” is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted. A work consisting of editorial revisions, annotations, elaborations, or other modifications which, as a whole, represent an original work of authorship, is a “derivative work”. A “device”, “machine”, or “process” is one now known or later developed. A “digital transmission” is a transmission in whole or in part in a digital or other non-analog format. To “display” a work means to show a copy of it, either directly or by means of a film, slide, television image, or any other device or process or, in the case of a motion picture or other audiovisual work, to show individual images nonsequentially. An “establishment” is a store, shop, or any similar place of business open to the general public for the primary purpose of selling goods or services in which the majority of the gross square feet of space that is nonresidential is used for that purpose, and in which nondramatic musical works are performed publicly. The term “financial gain” includes receipt, or expectation of receipt, of anything of value, including the receipt of other copyrighted works. A work is “fixed” in a tangible medium of expression when its embodiment in a copy or phonorecord, by or under the authority of the author, is sufficiently permanent or stable to permit it to be perceived, reproduced, or otherwise communicated for a period of more than transitory duration. A work consisting of sounds, images, or both, that are being transmitted, is “fixed” for purposes of this title if a fixation of the work is being made simultaneously with its transmission. A “food service or drinking establishment” is a restaurant, inn, bar, tavern, or any other similar place of business in which the public or patrons assemble for the primary purpose of being served food or drink, in which the majority of the gross square feet of space that is nonresidential is used for that purpose, and in which nondramatic musical works are performed publicly. The “Geneva Phonograms Convention” is the Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of Their Phonograms, concluded at Geneva, Switzerland, on October 29, 1971. The “gross square feet of space” of an establishment means the entire interior space of that establishment, and any adjoining outdoor space used to serve patrons, whether on a seasonal basis or otherwise. The terms “including” and “such as” are illustrative and not limitative. An “international agreement” is— (1) the Universal Copyright Convention; (2) the Geneva Phonograms Convention; (3) the Berne Convention; (4) the WTO Agreement; (5) the WIPO Copyright Treaty; (6) the WIPO Performances and Phonograms Treaty; and (7) any other copyright treaty to which the United States is a party. A “joint work” is a work prepared by two or more authors with the intention that their contributions be merged into inseparable or interdependent parts of a unitary whole. “Literary works” are works, other than audiovisual works, expressed in words, numbers, or other verbal or numerical symbols or indicia, regardless of the nature of the material objects, such as books, periodicals, manuscripts, phonorecords, film, tapes, disks, or cards, in which they are embodied. The term “motion picture exhibition facility” means a movie theater, screening room, or other venue that is being used primarily for the exhibition of a copyrighted motion picture, if such exhibition is open to the public or is made to an assembled group of viewers outside of a normal circle of a family and its social acquaintances. “Motion pictures” are audiovisual works consisting of a series of related images which, when shown in succession, impart an impression of motion, together with accompanying sounds, if any. To “perform” a work means to recite, render, play, dance, or act it, either directly or by means of any device or process or, in the case of a motion picture or other audiovisual work, to show its images in any sequence or to make the sounds accompanying it audible. A “performing rights society” is an association, corporation, or other entity that licenses the public performance of nondramatic musical works on behalf of copyright owners of such works, such as the American Society of Composers, Authors and Publishers (ASCAP), Broadcast Music, Inc. (BMI), and SESAC, Inc. “Phonorecords” are material objects in which sounds, other than those accompanying a motion picture or other audiovisual work, are fixed by any method now known or later developed, and from which the sounds can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. The term “phonorecords” includes the material object in which the sounds are first fixed. “Pictorial, graphic, and sculptural works” include two-dimensional and three-dimensional works of fine, graphic, and applied art, photographs, prints and art reproductions, maps, globes, charts, diagrams, models, and technical drawings, including architectural plans. Such works shall include works of artistic craftsmanship insofar as their form but not their mechanical or utilitarian aspects are concerned; the design of a useful article, as defined in this section, shall be considered a pictorial, graphic, or sculptural work only if, and only to the extent that, such design incorporates pictorial, graphic, or sculptural features that can be identified separately from, and are capable of existing independently of, the utilitarian aspects of the article. For purposes of section 513, a “proprietor” is an individual, corporation, partnership, or other entity, as the case may be, that owns an establishment or a food service or drinking establishment, except that no owner or operator of a radio or television station licensed by the Federal Communications Commission, cable system or satellite carrier, cable or satellite carrier service or programmer, provider of online services or network access or the operator of facilities therefor, telecommunications company, or any other such audio or audiovisual service or programmer now known or as may be developed in the future, commercial subscription music service, or owner or operator of any other transmission service, shall under any circumstances be deemed to be a proprietor. A “pseudonymous work” is a work on the copies or phonorecords of which the author is identified under a fictitious name. “Publication” is the distribution of copies or phonorecords of a work to the public by sale or other transfer of ownership, or by rental, lease, or lending. The offering to distribute copies or phonorecords to a group of persons for purposes of further distribution, public performance, or public display, constitutes publication. A public performance or display of a work does not of itself constitute publication. To perform or display a work “publicly” means— (1) to perform or display it at a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances is gathered; or (2) to transmit or otherwise communicate a performance or display of the work to a place specified by clause (1) or to the public, by means of any device or process, whether the members of the public capable of receiving the performance or display receive it in the same place or in separate places and at the same time or at different times. “Registration”, for purposes of section 205(c)(2), 405, 406, 410(d), 411, 412, and 506(e), means a registration of a claim in the original or the renewed and extended term of copyright. “Sound recordings” are works that result from the fixation of a series of musical, spoken, or other sounds, but not including the sounds accompanying a motion picture or other audiovisual work, regardless of the nature of the material objects, such as disks, tapes, or other phonorecords, in which they are embodied. “State” includes the District of Columbia and the Commonwealth of Puerto Rico, and any territories to which this title is made applicable by an Act of Congress. A “transfer of copyright ownership” is an assignment, mortgage, exclusive license, or any other conveyance, alienation, or hypothecation of a copyright or of any of the exclusive rights comprised in a copyright, whether or not it is limited in time or place of effect, but not including a nonexclusive license. A “transmission program” is a body of material that, as an aggregate, has been produced for the sole purpose of transmission to the public in sequence and as a unit. To “transmit” a performance or display is to communicate it by any device or process whereby images or sounds are received beyond the place from which they are sent. A “treaty party” is a country or intergovernmental organization other than the United States that is a party to an international agreement. The “United States”, when used in a geographical sense, comprises the several States, the District of Columbia and the Commonwealth of Puerto Rico, and the organized territories under the jurisdiction of the United States Government. For purposes of section 411, a work is a “United States work” only if— (1) in the case of a published work, the work is first published— (A) in the United States; (B) simultaneously in the United States and another treaty party or parties, whose law grants a term of copyright protection that is the same as or longer than the term provided in the United States; (C) simultaneously in the United States and a foreign nation that is not a treaty party; or (D) in a foreign nation that is not a treaty party, and all of the authors of the work are nationals, domiciliaries, or habitual residents of, or in the case of an audiovisual work legal entities with headquarters in, the United States; (2) in the case of an unpublished work, all the authors of the work are nationals, domiciliaries, or habitual residents of the United States, or, in the case of an unpublished audiovisual work, all the authors are legal entities with headquarters in the United States; or (3) in the case of a pictorial, graphic, or sculptural work incorporated in a building or structure, the building or structure is located in the United States. A “useful article” is an article having an intrinsic utilitarian function that is not merely to portray the appearance of the article or to convey information. An article that is normally a part of a useful article is considered a “useful article”. The author’s “widow” or “widower” is the author’s surviving spouse under the law of the author’s domicile at the time of his or her death, whether or not the spouse has later remarried. The “WIPO Copyright Treaty” is the WIPO Copyright Treaty concluded at Geneva, Switzerland, on December 20, 1996. The “WIPO Performances and Phonograms Treaty” is the WIPO Performances and Phonograms Treaty concluded at Geneva, Switzerland, on December 20, 1996. A “work of visual art” is— (1) a painting, drawing, print, or sculpture, existing in a single copy, in a limited edition of 200 copies or fewer that are signed and consecutively numbered by the author, or, in the case of a sculpture, in multiple cast, carved, or fabricated sculptures of 200 or fewer that are consecutively numbered by the author and bear the signature or other identifying mark of the author; or (2) a still photographic image produced for exhibition purposes only, existing in a single copy that is signed by the author, or in a limited edition of 200 copies or fewer that are signed and consecutively numbered by the author. A work of visual art does not include— (A)(i) any poster, map, globe, chart, technical drawing, diagram, model, applied art, motion picture or other audiovisual work, book, magazine, newspaper, periodical, data base, electronic information service, electronic publication, or similar publication; (ii) any merchandising item or advertising, promotional, descriptive, covering, or packaging material or container; (iii) any portion or part of any item described in clause (i) or (ii); (B) any work made for hire; or (C) any work not subject to copyright protection under this title. A “work of the United States Government” is a work prepared by an officer or employee of the United States Government as part of that person’s official duties. A “work made for hire” is— (1) a work prepared by an employee within the scope of his or her employment; or (2) a work specially ordered or commissioned for use as a contribution to a collective work, as a part of a motion picture or other audiovisual work, as a translation, as a supplementary work, as a compilation, as an instructional text, as a test, as answer material for a test, or as an atlas, if the parties expressly agree in a written instrument signed by them that the work shall be considered a work made for hire. For the purpose of the foregoing sentence, a “supplementary work” is a work prepared for publication as a secondary adjunct to a work by another author for the purpose of introducing, concluding, illustrating, explaining, revising, commenting upon, or assisting in the use of the other work, such as forewords, afterwords, pictorial illustrations, maps, charts, tables, editorial notes, musical arrangements, answer material for tests, bibliographies, appendixes, and indexes, and an “instructional text” is a literary, pictorial, or graphic work prepared for publication and with the purpose of use in systematic instructional activities. In determining whether any work is eligible to be considered a work made for hire under paragraph (2), neither the amendment contained in section 1011(d) of the Intellectual Property and Communications Omnibus Reform Act of 1999, as enacted by section 1000(a)(9) of Public Law 106–113, nor the deletion of the words added by that amendment— (A) shall be considered or otherwise given any legal significance, or (B) shall be interpreted to indicate congressional approval or disapproval of, or acquiescence in, any judicial determination, by the courts or the Copyright Office. Paragraph (2) shall be interpreted as if both section 2(a)(1) of the Work Made For Hire and Copyright Corrections Act of 2000 and section 1011(d) of the Intellectual Property and Communications Omnibus Reform Act of 1999, as enacted by section 1000(a)(9) of Public Law 106–113, were never enacted, and without regard to any inaction or awareness by the Congress at any time of any judicial determinations. The terms “WTO Agreement” and “WTO member country” have the meanings given those terms in paragraphs (9) and (10), respectively, of section 2 of the Uruguay Round Agreements Act.
Legislative History
Notes & Related Subsidiaries
Historical and Revision Notes
house report no. 94–1476
The significant definitions in this section will be mentioned or summarized in connection with the provisions to which they are most relevant.
Editorial Notes
References in Text
section 1011(d) of the Intellectual Property and Communications Omnibus Reform Act of 1999, referred to in definition of “work made for hire”, is section 1000(a)(9) [title I, § 1011(d)] of Pub. L. 106–113, which amended par. (2) of that definition. See 1999 Amendment note below. section 2(a)(1) of the Work Made For Hire and Copyright Corrections Act of 2000, referred to in definition of “work made for hire”, is section 2(a)(1) of Pub. L. 106—379, which amended par. (2) of that definition. See 2000 Amendment note below. section 2 of the Uruguay Round Agreements Act, referred to in definitions of “WTO Agreement” and “WTO member country”, is classified to section 3501 of Title 19, Customs Duties.
Amendments
2010—Pub. L. 111–295, § 6(a)(3), transferred the definition of “food service or drinking establishment” to appear after the definition of “fixed”. Pub. L. 111–295, § 6(a)(2), transferred the definition of “motion picture exhibition facility” to appear after the definition of “Literary works”. Pub. L. 111–295, § 6(a)(1), which directed transfer of the definition of “Copyright Royalty Judges” to appear after the definition of “Copyright owner”, was executed by so transferring the definition of “Copyright Royalty Judge”, to reflect the probable intent of Congress. 2005—Pub. L. 109–9 inserted definition of “motion picture exhibition facility” after definition of “Motion pictures”. 2004—Pub. L. 108–419 inserted definition of “Copyright Royalty Judge” after definition of “Copies”. 2002—Pub. L. 107–273, § 13210(5)(B), transferred definition of “Registration” to appear after definition of “publicly”. Pub. L. 107–273, § 13210(5)(A), transferred definition of “computer program” to appear after definition of “compilation”. 2000—Pub. L. 106–379, § 2(a)(2), in definition of “work made for hire”, inserted after par. (2) provisions relating to considerations and interpretations to be used in determining whether any work is eligible to be considered a work made for hire under par. (2). Pub. L. 106–379, § 2(a)(1), in definition of “work made for hire”, struck out “as a sound recording,” after “motion picture or other audiovisual work,” in par. (2). 1999—Pub. L. 106–113, which directed the insertion of “as a sound recording,” after “audiovisual work” in par. (2) of definition relating to work made for hire, was executed by making the insertion after “audiovisual work,” to reflect the probable intent of Congress. Pub. L. 106–44, § 1(g)(1)(B), in definition of “proprietor”, substituted “For purposes of section 513, a ‘proprietor’ ” for “A ‘proprietor’ ”. Pub. L. 106–44, § 1(g)(1)(A), transferred definition of “United States work” to appear after definition of “United States”. 1998—Pub. L. 105–304, § 102(a)(1), struck out definition of “Berne Convention work”. Pub. L. 105–304, § 102(a)(2), in definition of “country of origin”, substituted “For purposes of section 411, a work is a ‘United States work’ only if” for “The ‘country of origin’ of a Berne Convention work, for purposes of section 411, is the United States if” in introductory provisions, substituted “treaty party or parties” for “nation or nations adhering to the Berne Convention” in par. (1)(B) and “is not a treaty party” for “does not adhere to the Berne Convention” in par. (1)(C), (D), and struck out at end “For the purposes of section 411, the ‘country of origin’ of any other Berne Convention work is not the United States.” Pub. L. 105–298, § 205(1), inserted definitions of “establishment” and “food service or drinking establishment”. Pub. L. 105–304, § 102(a)(3), inserted definition of “Geneva Phonograms Convention”. Pub. L. 105–298, § 205(2), inserted definition of “gross square feet of space”. Pub. L. 105–304, § 102(a)(4), inserted definition of “international agreement”. Pub. L. 105–298, § 205(3), (4), inserted definitions of “performing rights society” and “proprietor”. Pub. L. 105–304, § 102(a)(5), inserted definition of term “treaty party”. Pub. L. 105–304, § 102(a)(6), inserted definition of term “WIPO Copyright Treaty”. Pub. L. 105–304, § 102(a)(7), inserted definition of term “WIPO Performances and Phonograms Treaty”. Pub. L. 105–304, § 102(a)(8), inserted definitions of terms “WTO Agreement” and “WTO member country”. 1997—Pub. L. 105–147 inserted definition of “financial gain”. Pub. L. 105–80, in definition of to perform or to display a work “publicly”, substituted “process” for “processs” in par. (2). 1995—Pub. L. 104–39 inserted definition of “digital transmission”. 1992—Pub. L. 102–563 substituted “Except as otherwise provided in this title, as used” for “As used” in introductory provisions. Pub. L. 102–307 inserted definition of “registration”. 1990—Pub. L. 101–650, § 702(a), inserted definition of “architectural work”. Pub. L. 101–650, § 702(b), in definition of “Berne Convention work” added par. (5). Pub. L. 101–650, § 602, inserted definition of “work of visual art”. 1988—Pub. L. 100–568, § 4(a)(1)(B), inserted definitions of “The Berne Convention” and “Berne Convention work”. Pub. L. 100–568, § 4(a)(1)(C), inserted definition of “country of origin”. Pub. L. 100–568, § 4(a)(1)(A), in definition of “Pictorial, graphic, and sculptural works” substituted “diagrams, models, and technical drawings, including architectural plans” for “technical drawings, diagrams, and models”. 1980—Pub. L. 96–517 inserted definition of “computer program”.
Statutory Notes and Related Subsidiaries
Effective Date
of 2004 AmendmentAmendment by Pub. L. 108–419 effective 6 months after Nov. 30, 2004, subject to transition provisions, see section 6 of Pub. L. 108–419, set out as an
Effective Date
Transition Provisions note under section 801 of this title.
Effective Date
of 2000 Amendment Pub. L. 106–379, § 2(b)(1), Oct. 27, 2000, 114 Stat. 1444, provided that: “The
Amendments
made by this section [amending this section] shall be effective as of November 29, 1999.”
Effective Date
of 1999 Amendment Pub. L. 106–113, div. B, § 1000(a)(9) [title I, § 1012], Nov. 29, 1999, 113 Stat. 1536, 1501A–544, provided that: “section 1001, 1003, 1005, 1007, 1008, 1009, 1010, and 1011 [enacting section 338 and 339 of Title 47, Telecommunications, amending this section, section 111, 119, 501, and 510 of this title, and section 325 of Title 47, enacting provisions set out as a note under this section and section 325 of Title 47, and amending provisions set out as a note under section 119 of this title] (and the
Amendments
made by such sections) shall take effect on the date of the enactment of this Act [Nov. 29, 1999]. The
Amendments
made by section 1002, 1004, and 1006 [enacting section 122 of this title and amending section 119 and 501 of this title] shall be effective as of July 1, 1999.”
Effective Date
of 1998 Amendment Pub. L. 105–304, title I, § 105, Oct. 28, 1998, 112 Stat. 2877, provided that: “(a) In General.—Except as otherwise provided in this title [see section 101 of Pub. L. 105–304, set out as a
Short Title
of 1998 Amendment note below], this title and the
Amendments
made by this title shall take effect on the date of the enactment of this Act [Oct. 28, 1998]. “(b)
Amendments
Relating to Certain International Agreements.—(1) The following shall take effect upon the entry into force of the WIPO Copyright Treaty with respect to the United States [Mar. 6, 2002]:“(A) Paragraph (5) of the definition of ‘international agreement’ contained in section 101 of title 17, United States Code, as amended by section 102(a)(4) of this Act. “(B) The amendment made by section 102(a)(6) of this Act [amending this section]. “(C) Subparagraph (C) of section 104A(h)(1) of title 17, United States Code, as amended by section 102(c)(1) of this Act. “(D) Subparagraph (C) of section 104A(h)(3) of title 17, United States Code, as amended by section 102(c)(2) of this Act. “(2) The following shall take effect upon the entry into force of the WIPO Performances and Phonograms Treaty with respect to the United States [May 20, 2002]:“(A) Paragraph (6) of the definition of ‘international agreement’ contained in section 101 of title 17, United States Code, as amended by section 102(a)(4) of this Act. “(B) The amendment made by section 102(a)(7) of this Act [amending this section]. “(C) The amendment made by section 102(b)(2) of this Act [amending section 104 of this title]. “(D) Subparagraph (D) of section 104A(h)(1) of title 17, United States Code, as amended by section 102(c)(1) of this Act. “(E) Subparagraph (D) of section 104A(h)(3) of title 17, United States Code, as amended by section 102(c)(2) of this Act. “(F) The
Amendments
made by section 102(c)(3) of this Act [amending section 104A of this title].” Pub. L. 105–298, title II, § 207, Oct. 27, 1998, 112 Stat. 2834, provided that: “This title [enacting section 512 of this title, amending this section and section 110 and 504 of this title, and enacting provisions set out as notes under this section] and the
Amendments
made by this title shall take effect 90 days after the date of the enactment of this Act [Oct. 27, 1998].”
Effective Date
of 1995 Amendment Pub. L. 104–39, § 6, Nov. 1, 1995, 109 Stat. 349, provided that: “This Act [see
Short Title
of 1995 Amendment note below] and the
Amendments
made by this Act shall take effect 3 months after the date of enactment of this Act [Nov. 1, 1995], except that the provisions of section 114(e) and 114(f) of title 17, United States Code (as added by section 3 of this Act) shall take effect immediately upon the date of enactment of this Act.”
Effective Date
of 1992 Amendment Pub. L. 102–307, title I, § 102(g), June 26, 1992, 106 Stat. 266, as amended by Pub. L. 105–298, title I, § 102(d)(2)(B), Oct. 27, 1998, 112 Stat. 2828, provided that: “(1) Subject to paragraphs (2) and (3), this section [amending this section and section 304, 408, 409, and 708 of this title and enacting provisions set out as a note under section 304 of this title] and the
Amendments
made by this section shall take effect on the date of the enactment of this Act [June 26, 1992]. “(2) The
Amendments
made by this section shall apply only to those copyrights secured between
January 1, 1964, and
December 31, 1977. Copyrights secured before
January 1, 1964, shall be governed by the provisions of section 304(a) of title 17, United States Code, as in effect on the day before the
Effective Date
of this section [June 26, 1992], except each reference to forty-seven years in such provisions shall be deemed to be 67 years. “(3) This section and the
Amendments
made by this section shall not affect any court proceedings pending on the
Effective Date
of this section.”
Effective Date
of 1990 AmendmentAmendment by section 602 of Pub. L. 101–650 effective 6 months after Dec. 1, 1990, see section 610 of Pub. L. 101–650, set out as an
Effective Date
note under section 106A of this title. Pub. L. 101–650, title VII, § 706, Dec. 1, 1990, 104 Stat. 5134, provided that: “The
Amendments
made by this title [enacting section 120 of this title and amending this section and section 102, 106, and 301 of this title], apply to— “(1) any architectural work created on or after the date of the enactment of this Act [Dec. 1, 1990]; and “(2) any architectural work that, on the date of the enactment of this Act, is unconstructed and embodied in unpublished plans or drawings, except that protection for such architectural work under title 17, United States Code, by virtue of the
Amendments
made by this title, shall terminate on December 31, 2002, unless the work is constructed by that date.”
Effective Date
of 1988 Amendment Pub. L. 100–568, § 13, Oct. 31, 1988, 102 Stat. 2861, provided that: “(a)
Effective Date
.—This Act and the
Amendments
made by this Act [enacting section 116A of this title, amending this section and section 104, 116, 205, 301, 401 to 408, 411, 501, 504, 801, and 804 of this title, and enacting provisions set out as notes under this section] take effect on the date on which the Berne Convention (as defined in section 101 of title 17, United States Code) enters into force with respect to the United States [Mar. 1, 1989]. [The Berne Convention entered into force with respect to the United States on Mar. 1, 1989.] “(b) Effect on Pending Cases.—Any cause of action arising under title 17, United States Code, before the
Effective Date
of this Act shall be governed by the provisions of such title as in effect when the cause of action arose.”
Short Title
of 2022 Amendment Pub. L. 117–201, § 1, Oct. 17, 2022, 136 Stat. 2222, provided that: “This Act [amending section 708 of this title] may be cited as the ‘Artistic Recognition for Talented Students Act’ or the ‘ARTS Act’.”
Short Title
of 2020 Amendment Pub. L. 116–260, div. Q, title II, § 212(a), Dec. 27, 2020, 134 Stat. 2176, provided that: “This section [enacting chapter 15 of this title and enacting provisions set out as notes under section 1501 and 1502 of this title] may be cited as the ‘Copyright Alternative in Small-Claims
Enforcement
Act of 2020’ or the ‘CASE Act of 2020’.”
Short Title
of 2019 Amendment Pub. L. 116–94, div. P, title XI, § 1101, Dec. 20, 2019, 133 Stat. 3201, provided that: “This title [amending section 119 and 501 of this title and enacting provisions set out as a note under section 119 of this title] may be cited as the ‘Satellite Television Community Protection and Promotion Act of 2019’.”
Short Title
of 2018 Amendment Pub. L. 115–264, § 1(a), Oct. 11, 2018, 132 Stat. 3676, provided that: “This Act [enacting chapter 14 of this title, amending section 114, 115, 301, 801, 803, and 804 of this title, section 58c of Title 19, Customs Duties, and section 137 of Title 28, Judiciary and Judicial Procedure, and enacting provisions set out as notes under this section and section 106, 114, and 115 of this title] may be cited as the ‘Orrin G. Hatch–Bob Goodlatte Music Modernization Act’.” Pub. L. 115–264, title I, § 101, Oct. 11, 2018, 132 Stat. 3676, provided that: “This title [amending section 114, 115, 801, 803, and 804 of this title and section 137 of Title 28, Judiciary and Judicial Procedure, and enacting provisions set out as notes under section 106, 114, and 115 of this title] may be cited as the ‘Musical Works Modernization Act’.” Pub. L. 115–264, title II, § 201, Oct. 11, 2018, 132 Stat. 3728, provided that: “This title [enacting chapter 14 of this title and amending section 301 of this title] may be cited as the ‘Classics Protection and Access Act’.” Pub. L. 115–264, title III, § 301, Oct. 11, 2018, 132 Stat. 3737, provided that: “This title [amending section 114 of this title and enacting provisions set out as a note under section 114 of this title] may be cited as the ‘Allocation for Music Producers Act’ or the ‘AMP Act’.” Pub. L. 115–261, § 1, Oct. 9, 2018, 132 Stat. 3667, provided that: “This Act [enacting section 121A of this title and amending section 121 of this title] may be cited as the ‘Marrakesh Treaty Implementation Act’.”
Short Title
of 2010 Amendment Pub. L. 111–295, § 1, Dec. 9, 2010, 124 Stat. 3180, provided that: “This Act [amending this section and section 114, 115, 119, 205, 303, 409, 503, 504, 512, 602, 704, 803, 1203, and 1204 of this title and section 2318 of Title 18, Crimes and Criminal Procedure, and repealing section 601 of this title] may be cited as the ‘Copyright Cleanup, Clarification, and Corrections Act of 2010’.” Pub. L. 111–175, § 1(a), May 27, 2010, 124 Stat. 1218, provided that: “This Act [enacting section 342 of Title 47, Telecommunications, amending section 111, 119, 122, 708, and 804 of this title and section 325, 335, and 338 to 340 of Title 47, enacting provisions set out as notes under section 111 and 119 of this title and section 325, 338, and 340 of Title 47, and repealing provisions set out as a note under section 119 of this title] may be cited as the ‘Satellite Television Extension and Localism Act of 2010’.” Pub. L. 111–151, § 1, Mar. 26, 2010, 124 Stat. 1027, provided that: “This Act [amending section 119 of this title and section 325 of Title 47, Telecommunications, and amending provisions set out as a note under section 119 of this title] may be cited as the ‘Satellite Televison [sic] Extension Act of 2010’.”
Short Title
of 2009 Amendment Pub. L. 111–36, § 1, June 30, 2009, 123 Stat. 1926, provided that: “This Act [amending section 114 of this title] may be cited as the ‘Webcaster Settlement Act of 2009’.”
Short Title
of 2008 Amendment Pub. L. 110–435, § 1, Oct. 16, 2008, 122 Stat. 4974, provided that: “This Act [amending section 114 of this title] may be cited as the ‘Webcaster Settlement Act of 2008’.” Pub. L. 110–434, § 1(a), Oct. 16, 2008, 122 Stat. 4972, provided that: “This Act [amending section 1301 of this title] may be cited as the ‘Vessel Hull Design Protection
Amendments
of 2008’.”
Short Title
of 2006 Amendment Pub. L. 109–303, § 1, Oct. 6, 2006, 120 Stat. 1478, provided that: “This Act [amending section 111, 114, 115, 118, 119, 801 to 804, and 1007 of this title, enacting provisions set out as notes under section 111 and 119 of this title, and amending provisions set out as a note under section 801 of this title] may be cited as the ‘Copyright Royalty Judges Program Technical Corrections Act’.”
Short Title
of 2005 Amendment Pub. L. 109–9, § 1, Apr. 27, 2005, 119 Stat. 218, provided that: “This Act [enacting section 2319B of Title 18, Crimes and Criminal Procedure, amending this section and section 108, 110, 408, 411, 412, and 506 of this title, section 179m, 179n, 179p, 179q, and 179w of Title 2, The Congress, section 1114 of Title 15, Commerce and Trade, section 2319 of Title 18, and section 151703, 151705, 151706, and 151711 of Title 36, Patriotic and National Observances, Ceremonies, and Organizations, enacting provisions set out as notes under this section, section 179l of Title 2, and section 101 of Title 36, and provisions listed in a table relating to sentencing guidelines set out as a note under section 994 of Title 28, Judiciary and Judicial Procedure] may be cited as the ‘Family Entertainment and Copyright Act of 2005’.” Pub. L. 109–9, title I, § 101, Apr. 27, 2005, 119 Stat. 218, provided that: “This title [enacting section 2319B of Title 18, Crimes and Criminal Procedure, amending this section, section 408, 411, 412, and 506 of this title, and section 2319 of Title 18, and enacting provisions listed in a table relating to sentencing guidelines set out as a note under section 994 of Title 28, Judiciary and Judicial Procedure] may be cited as the ‘Artists’ Rights and Theft Prevention Act of 2005’ or the ‘ART Act’.” Pub. L. 109–9, title II, § 201, Apr. 27, 2005, 119 Stat. 223, provided that: “This title [amending section 110 of this title and section 1114 of Title 15, Commerce and Trade] may be cited as the ‘Family Movie Act of 2005’.” Pub. L. 109–9, title IV, § 401, Apr. 27, 2005, 119 Stat. 226, provided that: “This title [amending section 108 of this title] may be cited as the ‘Preservation of Orphan Works Act’.”
Short Title
of 2004 Amendment Pub. L. 108–447, div. J, title IX, § 1(a), Dec. 8, 2004, 118 Stat. 3393, provided that: “This title [enacting section 340 and 341 of Title 47, Telecommunications, amending section 111, 119, 122, and 803 of this title and section 307, 312, 325, 338, and 339 of Title 47, enacting provisions set out as notes under section 119 of this title and section 325 and 338 of Title 47, and amending provisions set out as a note under section 119 of this title] may be cited as the ‘Satellite Home Viewer Extension and Reauthorization Act of 2004’ or the ‘W. J. (Billy) Tauzin Satellite Television Act of 2004’.” Pub. L. 108–419, § 1, Nov. 30, 2004, 118 Stat. 2341, provided that: “This Act [enacting chapter 8 of this title, amending this section and section 111, 112, 114 to 116, 118, 119, 1004, 1006, 1007, and 1010 of this title, and enacting provisions set out as a note under section 801 of this title] may be cited as the ‘Copyright Royalty and Distribution Reform Act of 2004’.”
Short Title
of 2002 Amendment Pub. L. 107–321, § 1, Dec. 4, 2002, 116 Stat. 2780, provided that: “This Act [amending section 114 of this title and enacting provisions set out as notes under section 114 of this title] may be cited as the ‘Small Webcaster Settlement Act of 2002’.” Pub. L. 107–273, div. C, title III, § 13301(a), Nov. 2, 2002, 116 Stat. 1910, provided that: “This subtitle [subtitle C (§ 13301) of title III of div. C of Pub. L. 107–273, amending section 110, 112, and 802 of this title] may be cited as the ‘Technology, Education, and Copyright Harmonization Act of 2002’.”
Short Title
of 2000 Amendment Pub. L. 106–379, § 1, Oct. 27, 2000, 114 Stat. 1444, provided that: “This Act [amending this section and section 121, 705, and 708 of this title, repealing section 710 of this title, and enacting provisions set out as notes under this section and section 708 of this title] may be cited as the ‘Work Made For Hire and Copyright Corrections Act of 2000’.”
Short Title
of 1999 Amendment Pub. L. 106–160, § 1, Dec. 9, 1999, 113 Stat. 1774, provided that: “This Act [amending section 504 of this title and enacting provisions set out as notes under section 504 of this title and section 994 of Title 28, Judiciary and Judicial Procedure] may be cited as the ‘Digital Theft Deterrence and Copyright Damages Improvement Act of 1999’.” Pub. L. 106–113, div. B, § 1000(a)(9) [title I, § 1001], Nov. 29, 1999, 113 Stat. 1536, 1501A–523, provided that: “This title [enacting section 122 of this title and section 338 and 339 of Title 47, Telecommunications, amending this section, section 111, 119, 501, and 510 of this title, and section 325 of Title 47, enacting provisions set out as notes under this section and section 325 of Title 47, and amending provisions set out as a note under section 119 of this title] may be cited as the ‘Satellite Home Viewer Improvement Act of 1999’.”
Short Title
of 1998 Amendment Pub. L. 105–304, § 1, Oct. 28, 1998, 112 Stat. 2860, provided that: “This Act [enacting section 512 and chapters 12 and 13 of this title and section 4001 of Title 28, Judiciary and Judicial Procedure, amending this section, section 104, 104A, 108, 112, 114, 117, 411, 507, 701, and 801 to 803 of this title, section 5314 of Title 5, Government Organization and Employees, section 1338, 1400, and 1498 of Title 28, and section 3 of Title 35, Patents, and enacting provisions set out as notes under this section and section 108, 109, 112, 114, 512, and 1301 of this title] may be cited as the ‘Digital Millennium Copyright Act’.” Pub. L. 105–304, title I, § 101, Oct. 28, 1998, 112 Stat. 2861, provided that: “This title [enacting chapter 12 of this title, amending this section and section 104, 104A, 411, and 507 of this title, and enacting provisions set out as notes under this section and section 109 of this title] may be cited as the ‘WIPO Copyright and Performances and Phonograms Treaties Implementation Act of 1998’.” Pub. L. 105–304, title II, § 201, Oct. 28, 1998, 112 Stat. 2877, provided that: “This title [enacting section 512 of this title and provisions set out as a note under section 512 of this title] may be cited as the ‘Online Copyright Infringement Liability Limitation Act’.” Pub. L. 105–304, title III, § 301, Oct. 28, 1998, 112 Stat. 2886, provided that: “This title [amending section 117 of this title] may be cited as the ‘Computer Maintenance Competition Assurance Act’.” Pub. L. 105–304, title V, § 501, Oct. 28, 1998, 112 Stat. 2905, provided that: “This Act [probably means “this title”, enacting chapter 13 of this title and amending section 1338, 1400, and 1498 of Title 28, Judiciary and Judicial Procedure] may be referred to as the ‘Vessel Hull Design Protection Act’.” Pub. L. 105–298, title I, § 101, Oct. 27, 1998, 112 Stat. 2827, provided that: “This title [amending section 108, 203, and 301 to 304 of this title, enacting provisions set out as a note under section 108 of this title, and amending provisions set out as notes under this section and section 304 of this title] may be referred to as the ‘Sonny Bono Copyright Term Extension Act’.” Pub. L. 105–298, title II, § 201, Oct. 27, 1998, 112 Stat. 2830, provided that: “This title [enacting section 512 of this title, amending this section and section 110 and 504 of this title, and enacting provisions set out as notes under this section] may be cited as the ‘Fairness In Music Licensing Act of 1998’.”
Short Title
of 1995 Amendment Pub. L. 104–39, § 1, Nov. 1, 1995, 109 Stat. 336, provided that: “This Act [amending this section and section 106, 111, 114, 115, 119, and 801 to 803 of this title and enacting provisions set out as a note above] may be cited as the ‘Digital Performance Right in Sound Recordings Act of 1995’.”
Short Title
of 1994 Amendment Pub. L. 103–369, § 1, Oct. 18, 1994, 108 Stat. 3477, provided that: “This Act [amending section 111 and 119 of this title and enacting and repealing provisions set out as notes under section 119 of this title] may be cited as the ‘Satellite Home Viewer Act of 1994’.”
Short Title
of 1993 Amendment Pub. L. 103–198, § 1, Dec. 17, 1993, 107 Stat. 2304, provided that: “This Act [amending section 111, 116, 118, 119, 801 to 803, 1004 to 1007, and 1010 of this title and section 1288 of Title 8, Aliens and Nationality, renumbering section 116A and 804 of this title as section 116 and 803, respectively, of this title, repealing section 116, 803, and 805 to 810 of this title, and enacting provisions set out as notes under section 801 of this title and section 1288 of Title 8] may be cited as the ‘Copyright Royalty Tribunal Reform Act of 1993’.”
Short Title
of 1992 Amendment Pub. L. 102–563, § 1, Oct. 28, 1992, 106 Stat. 4237, provided that: “This Act [enacting chapter 10 of this title, amending this section, section 801, 804, and 912 of this title, and section 1337 of Title 19, Customs Duties, and enacting provisions set out as a note under section 1001 of this title] may be cited as the ‘Audio Home Recording Act of 1992’.” Pub. L. 102–307, § 1, June 26, 1992, 106 Stat. 264, provided that: “This Act [enacting sections 179 to 179k of Title 2, The Congress, amending this section and section 108, 304, 408, 409, and 708 of this title, repealing sections 178 to 178l of Title 2, enacting provisions set out as notes under this section, section 304 of this title, and section 179 of Title 2, and repealing provisions set out as a note under section 178 of Title 2] may be cited as the ‘Copyright
Amendments
Act of 1992’.” Pub. L. 102–307, title I, § 101, June 26, 1992, 106 Stat. 264, provided that: “This title [amending this section and section 304, 408, 409, and 708 of this title and enacting provisions set out as notes under this section and section 304 of this title] may be referred to as the ‘Copyright Renewal Act of 1992’.”
Short Title
of 1991 Amendment Pub. L. 102–64, § 1, June 28, 1991, 105 Stat. 320, provided that: “This Act [amending section 914 of this title and enacting provisions set out as a note under section 914 of this title] may be cited as the ‘Semiconductor International Protection Extension Act of 1991’.”
Short Title
of 1990 Amendment Pub. L. 101–650, title VI, § 601, Dec. 1, 1990, 104 Stat. 5128, provided that: “This title [enacting section 106A of this title, amending this section and section 107, 113, 301, 411, 412, 501, and 506 of this title, and enacting provisions set out as notes under this section and section 106A of this title] may be cited as the ‘Visual Artists Rights Act of 1990’.” Pub. L. 101–650, title VII, § 701, Dec. 1, 1990, 104 Stat. 5133, provided that: “This title [enacting section 120 of this title, amending this section and section 102, 106, and 301 of this title, and enacting provisions set out as a note above] may be cited as the ‘Architectural Works Copyright Protection Act’.” Pub. L. 101–650, title VIII, § 801, Dec. 1, 1990, 104 Stat. 5134, provided that: “This title [amending section 109 of this title and enacting provisions set out as notes under section 109 and 205 of this title] may be cited as the ‘Computer Software Rental
Amendments
Act of 1990’.” Pub. L. 101–553, § 1, Nov. 15, 1990, 104 Stat. 2749, provided that: “This Act [enacting section 511 of this title, amending section 501, 910, and 911 of this title, and enacting provisions set out as a note under section 501 of this title] may be cited as the ‘Copyright Remedy Clarification Act’.” Pub. L. 101–319, § 1,
July 3, 1990, 104 Stat. 290, provided that: “This Act [amending section 701 and 802 of this title and section 5315 and 5316 of Title 5, Government Organization and Employees, and enacting provisions set out as a note under section 701 of this title] may be cited as the ‘Copyright Royalty Tribunal Reform and Miscellaneous Pay Act of 1989’.” Pub. L. 101–318, § 1,
July 3, 1990, 104 Stat. 287, provided that: “This Act [amending section 106, 111, 704, 708, 801, and 804 of this title and enacting provisions set out as notes under section 106, 111, 708, and 804 of this title] may be cited as the ‘Copyright Fees and Technical
Amendments
Act of 1989’.”
Short Title
of 1988 Amendment Pub. L. 100–667, title II, § 201, Nov. 16, 1988, 102 Stat. 3949, provided that: “This title [enacting section 119 of this title and section 612 and 613 of Title 47, Telecommunications, amending section 111, 501, 801, and 804 of this title and section 605 of Title 47, and enacting provisions set out as notes under section 119 of this title] may be cited as the ‘Satellite Home Viewer Act of 1988’.” [Section ceases to be effective Dec. 31, 1994, see section 207 of Pub. L. 100–667, set out as an Effective and Termination Dates note under section 119 of this title.] Pub. L. 100–568, § 1(a), Oct. 31, 1988, 102 Stat. 2853, provided that: “This Act [enacting section 116A of this title, amending this section and section 104, 116, 205, 301, 401 to 408, 411, 501, 504, 801, and 804 of this title, and enacting provisions set out as notes under this section] may be cited as the ‘Berne Convention Implementation Act of 1988’.”
Short Title
of 1984 Amendment Pub. L. 98–620, title III, § 301, Nov. 8, 1984, 98 Stat. 3347, provided that: “This title [enacting chapter 9 of this title] may be cited as the ‘Semiconductor Chip Protection Act of 1984’.” Pub. L. 98–450, § 1, Oct. 4, 1984, 98 Stat. 1727, provided that: “This Act [amending section 109 and 115 of this title and enacting provisions set out as a note under section 109 of this title] may be cited as the ‘Record Rental Amendment of 1984’.”
Short Title
of 1976 Act Pub. L. 94–553, Oct. 19, 1976, 90 Stat. 2541, which enacted this title and section 170 of Title 2, The Congress, amended section 131 of Title 2, section 290e of Title 15, Commerce and Trade, section 2318 of Title 18, Crimes and Criminal Procedure, section 543 of Title 26, Internal Revenue Code, section 1498 of Title 28, Judiciary and Judicial Procedure, section 3202 and 3206 of Title 39, Postal Service, and section 505 and 2117 of Title 44, Public Printing and Documents, and enacted provisions set out as notes preceding this section and under section 104, 115, 304, 401, 407, 410, and 501 of this title, is popularly known as the “Copyright Act of 1976”.
Severability
Pub. L. 106–379, § 2(b)(2), Oct. 27, 2000, 114 Stat. 1444, provided that: “If the provisions of paragraph (1) [see
Effective Date
of 2000 Amendment note above], or any application of such provisions to any person or circumstance, is held to be invalid, the remainder of this section [amending this section and enacting provisions set out as a note above], the
Amendments
made by this section, and the application of this section to any other person or circumstance shall not be affected by such invalidation.”
Construction
of 1998 Amendment Pub. L. 105–298, title II, § 206, Oct. 27, 1998, 112 Stat. 2834, provided that: “Except as otherwise provided in this title [enacting section 512 of this title, amending this section and section 110 and 504 of this title, and enacting provisions set out as notes under this section], nothing in this title shall be construed to relieve any performing rights society of any obligation under any State or local statute, ordinance, or law, or consent decree or other court order governing its operation, as such statute, ordinance, law, decree, or order is in effect on the date of the enactment of this Act [Oct. 27, 1998], as it may be amended after such date, or as it may be issued or agreed to after such date.” First Amendment Application Pub. L. 101–650, title VI, § 609, Dec. 1, 1990, 104 Stat. 5132, provided that: “This title [see
Short Title
of 1990 Amendment note above] does not authorize any governmental entity to take any action or enforce restrictions prohibited by the First Amendment to the United States Constitution.” Berne Convention; Congressional Declarations Pub. L. 100–568, § 2, Oct. 31, 1988, 102 Stat. 2853, provided that: “The Congress makes the following declarations: “(1) The Convention for the Protection of Literary and Artistic Works, signed at Berne, Switzerland, on September 9, 1886, and all acts, protocols, and revisions thereto (hereafter in this Act [see
Short Title
of 1988 Amendment note above] referred to as the ‘Berne Convention’) are not self-executing under the Constitution and laws of the United States. “(2) The obligations of the United States under the Berne Convention may be performed only pursuant to appropriate domestic law. “(3) The
Amendments
made by this Act, together with the law as it exists on the date of the enactment of this Act [Oct. 31, 1988], satisfy the obligations of the United States in adhering to the Berne Convention and no further rights or interests shall be recognized or created for that purpose.” Berne Convention;
Construction
Pub. L. 100–568, § 3, Oct. 31, 1988, 102 Stat. 2853, provided that: “(a) Relationship With Domestic Law.—The provisions of the Berne Convention—“(1) shall be given effect under title 17, as amended by this Act [see
Short Title
of 1988 Amendment note above], and any other relevant provision of Federal or State law, including the common law; and “(2) shall not be enforceable in any action brought pursuant to the provisions of the Berne Convention itself. “(b) Certain Rights Not Affected.—The provisions of the Berne Convention, the adherence of the United States thereto, and satisfaction of United States obligations thereunder, do not expand or reduce any right of an author of a work, whether claimed under Federal, State, or the common law—“(1) to claim authorship of the work; or “(2) to object to any distortion, mutilation, or other modification of, or other derogatory action in relation to, the work, that would prejudice the author’s honor or reputation.” Works in Public Domain Without Copyright Protection Pub. L. 100–568, § 12, Oct. 31, 1988, 102 Stat. 2860, provided that: “Title 17, United States Code, as amended by this Act [see
Short Title
of 1988 Amendment note above], does not provide copyright protection for any work that is in the public domain in the United States.” Definitions Pub. L. 103–465, title V, § 501, Dec. 8, 1994, 108 Stat. 4973, provided that: “For purposes of this title [enacting section 1101 of this title and section 2319A of Title 18, Crimes and Criminal Procedure, amending section 104A and 109 of this title, section 1052 and 1127 of Title 15, Commerce and Trade, and section 41, 104, 111, 119, 154, 156, 172, 173, 252, 262, 271, 272, 287, 292, 295, 307, 365, and 373 of Title 35, Patents, enacting provisions set out as notes under section 1052 of Title 15 and section 104 and 154 of Title 35, and amending provisions set out as a note under section 109 of this title]— “(1) the term ‘WTO Agreement’ has the meaning given that term in section 2(9) of the Uruguay Round Agreements Act [19 U.S.C. 3501(9)]; and “(2) the term ‘WTO member country’ has the meaning given that term in section 2(10) of the Uruguay Round Agreements Act.”
Reference
Citations & Metadata
Citation
17 U.S.C. § 101
Title 17 — Copyrights
Last Updated
Apr 6, 2026
Release point: 119-73